Page to Stage

The Page to Stage program is an opportunity for a playwright within the LPC community to receive a production depending on the needs of the play. Each season, a play that has been developed through LPC’s programming is selected and undergoes a process of evaluating the production needs of the play.

In collaboration with Latinx Playwrights Circle & Fault Line Theatre! 

Written by Matthew Barbot
Directed by José Zayas

In 1950, two would-be assassins on a train from New York to Washington, DC discuss their plan to strike in the name of Puerto Rican independence. The lock to their compartment is busted, however, and each time the door swings open they find themselves interrupted by figures out of art and history, reflections of what their country means to them and has meant to the United States. As the borders of their reality begin to shift and their train chugs along, the two must finalize their plan and decide how they want their sacrifice to be remembered.

Performances begin December 4, 2024, with an official opening on December 11, for a strictly limited run through December 29, 2024, at the Puerto Rican Traveling Theater.

Tickets will be available beginning September 1, 2024, at pregonesprtt.org.
 
the beautiful land i seek (la linda tierra que busco yo) will feature set design by Tristan Jeffers (Hindsight), costume design by Haydee Zelideth (Wet Brain), lighting design by Lucrecia Briceno (Our Dear Dead Drug Lord), and sound design by Chad Raines (Laughing in Jail). Movement, fight and intimacy direction is by Amaal Saifudeen. Caren Celine Morris (Hound Dog, Bite Me) will serve as Production Stage Manager.

In-person performances at
THE PUERTO RICAN TRAVELING THEATER
304 W 47th St, between 8th & 9th Avenues
in Manhattan

Preview Tickets starting at $25

Casting will be announced shortly.

the beautiful land i seek (la linda tierra que busco yo) received a reading as part of Latinx Playwrights Circle’s Fresh Draft Series in 2021. In 2022 it was featured in Fault Line Theatre’s Irons in the Fire reading and development series. It was workshopped in 2023 as part of Fault Line Theatre’s inaugural play-development pipeline, Fault Line Theatre: (plays) In Previews, where it received four weeks’ worth of focused development, rehearsal, and two weeks of developmental performances, giving artists the chance to experiment and explore their work.
 
Tickets for the beautiful land i seek (la linda tierra que busco yo) will go on sale September 1, 2024. 

Ensemble Studio Theatre (EST), The Alfred P. Sloan Foundation, the Latinx Playwrights Circle, and Boundless Theatre Company

have announced casting and creative team for the world premiere of LAS BORINQUEÑAS by Nelson Diaz-Marcano and directed by Rebecca Aparicio, running April 3 to April 28 at EST’s long time home on West 52nd Street, with a press opening on April 11. 

Tickets for LAS BORINQUEÑAS are $30 for general admission, $40 for reserved seating, and $25 for students/seniors. $20 early bird pricing is available through April 2. Ensemble Studio Theatre (EST) is located at 545 West 52nd Street. For more information, visit www.estnyc.org.

The cast features Nicole Betancourt, Hanna Cheek, Helen Coxe, Guadalís Del Carmen, Maricelis Galanes, Maribel Martinez, Paul Niebanck, Ashley Marie Ortiz, and Mike Smith Rivera.

It’s the 1950's in Puerto Rico and María, Fernanda, Yolanda, Rosa, and Chavela are fighting to live full lives in a changing country with crushing societal rules for women. In the United States, Dr. Gregory Pincus is on the verge of perfecting a miracle that could give them freedom - if only he could find test subjects to participate in preliminary trials. This is the story of the birth control pill and the women who risked everything for the chance to live free.

April 3 - April 28

GET EARLY BIRD $20 TICKETS UNTIL APRIL 3RD!

The production features scenic design by Gerardo Díaz Sánchez; costume design by Tina McCartney; lighting design María Cristina Fusté; projections design by Milton M. Cordero; sound design by Daniela Hart, Bailey Trierweiler, Noel Nichols, and Uptown Works; and props design by Caitlyn Murphy. Alejandra Maldonaldo Morales is the production stage manager.

"We're delighted to partner with EST on the premiere of Las Borinqueñas, originally commissioned through the EST/Sloan Project to support outstanding playwrights who incorporate science and technology themes." said Doron Weber, Vice President and Program Director at the Sloan Foundation.  "Diaz-Marcano’s play dramatizes the human story behind the extraordinary development of the birth control pill, one of science’s great achievements in the 20th century. While highlighting the benefits of scientific research that led to the pill, including the freedom it has granted to women around the world, the play also examines the personal sacrifices and cultural pressures behind clinical trials that precede such breakthroughs."

CREATIVE TEAM BIOS:

Nelson Diaz-Marcano (Playwright) is a Puerto Rican NYC-based theater maker, advocate, and community leader whose mission is to create work that challenges and builds community. He currently serves as the Literary Director for the Latinx Playwright Circle where he has helped develop over 100 plays in the past three years. His plays have been developed by the Ensemble Studio Theatre, The Road Theatre Company, Pipeline Theatre Company, Clubbed Thumb, The Lark, Vision Latino Theater Company, The Orchard Project, The William Inge Theatre Festival, Classical Theatre of Harlem, and The Parsnip Ship among others. Recent credits include: World Classic(Bishop Theatre Arts Center), Y Tu Abuela, Where is She? Part 1 (CLATA), When the Earth Moves, We Dance (Clubbed Thumb, Teatro Vivo), The Diplomats (Random Acts Chicago), Paper Towels (INTAR), Misfit, America(Hunter Theatre Company), I Saw Jesus in Toa Baja (Conch Shell Productions), and Revolt! (Vision Latino Theatre Company).

Rebecca Aparicio (Director) is a Cuban American, New York-based, bilingual director and writer. Recent directing: Jardin Salvaje by Karen Zacarias (GALA Hispanic Theatre, Helen Hayes recommended), Beastgirl, based on the chapbook by Elizabeth Acevedo, book by C. Quintana and music by Janelle Lawrence (Kennedy Center, Helen Hayes nominated); The House on the Lagoon by Caridad Svich (Gala Hispanic Theatre, Winner Best Direction Broadway World-DC), Sarita by Maria Irene Fornes (Roundabout Theatre Refocus Series), and Siluetas, book by Erlina Ortiz and music by Robi Hager (Powerstreet Theatre Company). As a director, she’s developed new work with American Repertory Theatre, Philadelphia Theatre Company, McCarter Theatre, O'Neill Theatre Center, Playwrights Center, Powerstreet Theatre Company, Ensemble Studio Theatre, Musical Theatre Factory, The Flea Theatre, Classical Theatre of Harlem, National Black Theatre, and more. Past Fellowships include: Roundabout Theatre’s Inaugural Directing Group, MTC Jonathan Alper Directing Fellow, The COOP’s Clusterf**k Writing Cohort, and a two-time SDCF Observership Award recipient. As a writer, her work includes the award-winning musical Pedro Pan (New York Musical Festival, Musical Theatre Factory, Rhinebeck Writers Retreat, FringeNYC), Tree Tales (Prospect Theatre), Hindsight 2020 (Live & In Color, Legacy (Prospect Theatre), and The Garcia Sisters (Red Mountain Theatre. Rebecca is a CRNY artist-in-residence with the Latinx Playwrights Circle, a steering committee member of the Latinx Theatre Commons, and is a founding member of Magic Forest Theatre (dedicated to creating new musicals for young audiences). She also serves as a board member at The Flea and Rhinebeck Writers Retreat. 

CAST BIOS

Nicole Betancourt (Chavela/Julia) is a versatile bilingual actress and VO artist who has developed characters for film, theater and web series. NY theatre: Zoetrope (Abrons Arts Center), Witkacy’s Mad Man and the Nun (PREGONES), Storage Locker (IATI), UBU ROI (IRT & INTAR), Red (HERE Arts Center), Waters of Friendship (La Tea), A Taste Of Honey (dir. Susan Batson). Winner of Outstanding Performance in a Leading Role (FuerzaFest). Film/TV: She Said (dir. Maria Schrader), Melty Face on “Orange is the New Black”, Officer Spanos on “StartUp”. Rep: Karen Riposo at KPA Talent. 

Hanna Cheek (Edris Rice-Wray) NYC: GOODBAR (The Public), The Blueprint Specials (USS Intrepid), Widowers’ Houses, Happy Birthday (with TACT at The Beckett), The Persians…a comedy about war (Perry Street), Marco Millions (Theatre Row), The|King|Operetta (Barrow Street), #9 (59E59),  Junta High (PS122), Hostage Song (Kraine), Sovereign (Judson Gym), Universal Robots (Sheen Center). REGIONAL: Other Desert Cities, Proof, Grounded, Heisenberg. FILM/TV: “Gypsy” (Netflix), “Madame Secretary” (CBS), “Ugly Americans” (Comedy Central), The Outside Story, All Roads Lead.

Helen Coxe (Lizzie). She was last seen as Tracy Jones in Tracy Jones by Stephen Kaplan at Arthouse. MFA from A.C.T. Proud member of EST.

Guadalís Del Carmen (Yolanda) is an Ars Nova PlayGroup Alum, a founding member of the Dominican Artist Collective, and a Hermitage Residency Artist. Guadalís received a Steinberg Playwriting Award in 2020, a Helen Merrill Playwriting Award in 2023, and the HOLA Award for Outstanding Achievement in Playwriting in 2023. Her acting credits include La Egoísta (Actors Theatre of Louisville), Mojada: A Medea In Los Angeles (The Repertory Theatre of St. Louis), Julia de Burgos: Child of Water (UrbanTheatre Company), Antígona (Aguijón Theater).

Maricelis Galanes (Rosa/Peggy Blake) is an actress/singer from Puerto Rico and an MFA graduate from The Actors Studio Drama School. Credits include La Traición en La Amistad (Repertorio Español), The Oxcart (Roundabout Theatre Company, PRTT/Pregones), ¡GÁRGOLA! (MCC Theater). TV/Film: "Miranda's Victim", "Fantasy Island", "The Baker and the Beauty". She is a proud member of AEA. Honored to be a voice for the women of PR in the world premiere of Las Borinqueñas. 

Maribel Martinez (Fernanda) is a multi-hyphenate artist, proudly Black-Latina, with Dominican and Puerto Rican roots.  Theater credits include the recent Off-Broadway premiere of Bees & Honey (MCC Theater - HOLA Awards nomination); Will You Come With Me? (PlayCo); Julius Cesar (New York Shakespeare in the Park); and regionally she has worked at People’s Light, Shakespeare Theatre Company, American Conservatory Theater, Cincinnati Playhouse in the Park, Folger, among others. Film/Television: “Evil” (CBS), “New Amsterdam” (ABC), “The Watcher” (Netflix), “Sacrifice” (BET+), “Dr. Death” (Peacock). 

Paul Niebanck (Gregory Pincus). New York: Richard III (NYSF), Barbecue, Plenty (Public), Blood and Gifts, In the Next Room… (LCT ); A Walk in the Woods, BOY (Keen); The Changeling (Redbull); RX (Primary Stages); American Clock (Signature); A Picture of Autumn (Mint); Much Ado About Nothing (TFANA); The Seagull, (Pearl); Leaving Queens (Women’s  Project); TV/Film: West Side Story, “Manhattan Romance”, “Madam Secretary”, “Good Fight”, “The Blacklist,” “Person of Interest,” “Burn Notice.” 

Ashley Marie Ortiz (Maria). NYC based actor and applied theatre facilitator. Recent credits: the beautiful land i seek (la linda tierra que busco yo) (Faultline Theatre); Prospect Avenue, or The Miseducation of Juni Rodríguez (Ensemble Studio Theatre); Foul Shots (INTAR MICROTEATRO Festival); FUR (Next Door at NYTW); Scissoring (INTAR); Nervous/System (BAM); After (The Public Theatre); The Fire this Time Festival Season 9; Meet me at the Fountain (Lincoln Center Education); Malefactions (Chinatown Soup); Patience, Fortitude, and other Antidepressants (INTAR/LATC). TV: “FBI”; “Law and Order: SVU”. PPE TQM

Mike Smith Rivera (Broadcaster/Pablo) is a Mexican-American actor, comedian, and voice-over artist from Brooklyn. He's a(n EST) member artist, UCB house sketch comedy team actor, and runs Burning Clown Productions, Inc. NY theatre credits: 34th & 35th Marathon, Sh*tloads of Money, Sisters in Blizzard (EST), No Dogs Allowed (Atlantic). TV: "Only Murders in the Building", "Billions", "The Blacklist", "The Green Veil", "Brooklyn Animal Control". VO: Dora the Explorer's Papi (& more) on "¡Dora!", HBO's "Burning Rubber", "Yu-Gi-Oh" (GTA V), Tatiana Maslany's "Power Trip", and "These Were Humans" (Tribeca 2023) 

LATINX PLAYWRIGHTS CIRCLE, WP THEATER, AND THE SOL PROJECT ANNOUNCE

ALL-LATINX CAST & CREATIVE TEAM FOR

THE OFF-BROADWAY PREMIERE OF  

SANCOCHO

STARRING

ZULEYMA GUEVARA and SHIRLEY RUMIERK

Written By Christin Eve Cato

Directed By Rebecca Martínez

PREVIEWS BEGIN SATURDAY, MARCH 11

OPENING NIGHT SET FOR THURSDAY, MARCH 23

FOR STRICTLY LIMITED ENGAGEMENT AT WP THEATER 

(New York, NY – February 10, 2023) Producers Latinx Playwrights Circle, WP Theater, and The Sol Project are thrilled to announce an all-Latinx cast and creative team for the Off-Broadway Premiere of Sancocho. The new play by Christin Eve Cato (The Good Cop, DUAF 2022) directed by Rebecca Martinez (Miss You Like Hell; Theatre for One: Here We Are) will star Zuleyma Guevara (Bruise & Thorn, “Gotham”) and Shirley Rumierk (Good Person, “Manifest,” “Rise”). The limited engagement will run from March 11–April 23, 2023, at WP Theater (2162 Broadway). Opening Night is set for Thursday, March 23.  

Simmering between two Puerto Rican sisters is a family tension that finally comes to a boil. Forced to confront the reality of their father’s rapidly declining health, Renata and Caridad clash over cultural divides, unearth old wounds, and reveal long-buried secrets. As Caridad’s sancocho bubbles on the stove, will the two sisters reconcile their past resentments to face their uncertain futures – together?

Sancocho features scenic design by Raul Abrego (Princeton University’s Adamandi, Ain't Misbehavin'), costume design by Harry Nadal (Miss You Like Hell, Porgy & Bess), lighting design by Maria-Cristina Fusté (Jagged Little Pill, Songs About Trains), and sound design by Germán Martinez (Into The Woods, Ohio State Murders), production stage management by E Sara Barnes (Jersey Boys, Broadway Bounty Hunter). Casting by Kelly Gillespie, C.S.A. 

Sancocho was produced by Vision Latino Theatre Company in October 2022, as part of Destinos, the fifth annual Chicago International Latino Theater Festival.  The Chicago Tribune hailed the production as “inspirational” and “a multi-sensory experience…two strong [sisters] have the hard conversations, face down their generational trauma and find a path forward toward healing. The stew that they prepare throughout the evening serves as a metaphor for this process, as ingredients are sliced and crushed to create a meal ‘healing to the soul.’” The Chicago Reader described the show as “rich family fare. Named for a type of beef stew, Sancocho highlights the significance of familia for the best or otherwise. The dialogue melds between English and Spanish sweetly as the sancocho literally simmers on the stove. The scent made me long to return to Puerto Rico to devour más mofongo y tostones.” Originally developed at Latinx Playwrights Circle's developmental programs, the play has also been selected as a featured play on #NewPlayExchange and developed at Ingenio Festival & Playwrights Center Core Apprentice Workshop.

Tickets are now available at [1] www.wptheater.org. The ticket range is $29-$79 during previews, and $39-$89 after opening night. The regular performance schedule is  Tuesday - Thursday at 7pm, Friday at 8pm, Saturday at 2pm & 8pm, and Sunday at 3pm. The performances on Saturday, March 11 and Sunday, March 12 are at 7pm.

@WPtheater

BIOGRAPHIES:

ZULEYMA GUEVARA (Caridad) is a NY based actress whose most recent stage credits include Somewhere by Matthew Lopez at Geva Theater, Carla in Grand Horizons at People’s Theater and this past spring was seen in the NYTimes pick of the week, Bruise and Thorn.  Previous theater credits include the New Jersey premiere of Water by the Spoonful at Kean University, Columbia Stages La Paloma Prisoner and The Hour of The Star, the world premiere of Seven Spots on the Sun at the Cincinnati Playhouse in the Park and Working Theatre's production of La Ruta.  TV credits include “Sonia's Choice”, “Legend of the 13 Suns”,  “Gotham”, “FBI Most Wanted” as well as “Law and Order” and the CBS pilot “Limitless”. Film credits include New York State of Mind, Third Trinity, The Meal and the soon to be released Tumba del Mar.

SHIRLEY RUMIERK (Renata) will next be seen in Zack Braff's film Good Person starring Morgan Freeman. She was series regular "Vanessa Suarez" on the NBC series “Rise” and appeared in HBO's “Scenes from a Marriage”. She recurred as "Autumn Cox" on “Manifest” and as "Yolanda Carrion" in the Netflix series “Teenage Bounty Hunters” Shirley has guest-starred on “Chicago PD”, “New Amsterdam”, “East New York” and “Power”. She starred in the independent film 11:55 and can be seen in David Frankel’s feature Collateral Beauty.  Shirley is a board member and alumna of The 52nd Street Project and Oliver Scholars. She is a graduate of Harvard University.

CHRISTIN EVE CATO (Playwright) is a playwright and performing artist from the Bronx. She holds an MFA in Playwriting from Indiana University and completed her BA in Political Science and Philosophy at Fordham University. Cato is also a graduate of Fiorello H. LaGuardia High School for Music and Art and the Performing Arts. She is affiliated with NYC theater companies, Pregones/PRTT (ensemble member & former Resident Dramaturg), INTAR Theatre (UNIT 52 ensemble member), and the Latinx Playwrights Circle. Cato's artistic style is expressed through Caribbean culture and the Afro-Latinx diaspora, honoring her Puerto Rican and Jamaican roots. Recent Off-Broadway productions include The Good Cop (DUAF 2022). Recent productions include, Sancocho (Vision Latino Theatre Company/ Destinos, 5th Chicago International Latino Theater Festival); American Made (Samuel French OOB Festival/ NYC); and an audio play journey, The Mayor of Hell's Kitchen Presents: A Time Traveling Journey Through NYC's Wild West (The Parsnip Ship & Playwrights Horizons/ NYC).

REBECCA MARTÍNEZ (Director) Rebecca Martinez (she/her) is an award-winning director and choreographer and the BOLD Associate Artistic Director at WP Theater. Upcoming projects include: Living and Breathing (Two River), a musical adaptation of The Comedy of Errors (The Public Theater’s Mobile Unit). Recent projects: Los Complicados (EST Marathon), Randy’s Dandy Coaster Castle (Egg & Spoon Collective), Songs About Trains (Working Theater and Radical Evolution), Somewhere Over the Border (Syracuse Stage and Geva Theatre). Rebecca has developed new work with The Public Theater, Amas Musical Theater, the O’Neill, Latinx Playwrights Circle, the Sol Project, NAMT, INTAR, Working Theater, The Playwrights Realm, among others. Affiliations: Sojourn Theatre Ensemble, 2021 TCG Rising Leaders of Color; Sol Project Collective, Lincoln Center Theater Directors Lab, INTAR’s Unit52, New Georges Affiliated Artist, WP Lab, Drama League Directing Fellow, member of SDC. Awards: Colorado Henry Award for Directing; four Portland, Oregon Drammy Awards; Lilla Jewel Award for Women Artists. Rebecca is originally from Colorado with deep ancestral roots in the Southwest. rebeccamartinez.org

RAUL ABREGO (Scenic Design) is a set designer for Opera, Theater and Television.  His work has been seen at The Juilliard Opera Center, The Manhattan School of Music, The Spoleto Opera Festival in Italy, The Rattlestick, Cherry Lane Theater and Intar.  Noted Recent projects: Adamandi for Princeton University, book and lyrics by Mel Hornyak and Elliot Valentine Lee, dDirected by Georgina Escobar, Ain't Misbehavin' for Barrington Stage and Geva Theater Center, directed by Jeffrey Page. The Brobot Johnson Experience by Darian Dauchan at The Bushwick Starr, Living and Breathing by Mando Alvarado, d Directed by Rebecca Martinez for Two River Theater, How to Melt Ice by Amalia Oliva Rojas for Boundless Theater Company and New Perspectives directed by Elena Araoz.  Assistant Art Director credits for Television include: “The Marvelous Mrs. Maisel” Season 3 & 4, “Ghost” (Power Book 2) and “John Wick”,  Art Director for “Falling Water” (pilot), The Outcasts (film) and Production Designer for 2009 film Cruzando.

HARRY NADAL (Costume Design) Originally from San Juan, Puerto Rico. NEW YORK: Lincoln Center Institute, Atlantic Theater Co., Brooklyn Academy of Music, Juilliard, Intar, Labyrinth Theater Co., Pregones/PRTT, Boundless Theater, HEREere Arts Center and Theater for the New City among others. REGIONAL: Arena Stage (Washington, DC), Chicago Opera Theater, TheaterWorks Hartford, Des Moines Metro Opera, Zach Theatre (Austin, TX), George Street Playhouse (New Brunswick, NJ), UrbanArias (Arlington, VA), Baltimore Center Stage, Boise Contemporary Theater, People’s Light Theater (Malvern, PA), Open Stage (Harrisburg, PA), Bloomsburg Theatre Ensemble and Danza del Alma (Cuba) among many. Faculty member at Pratt Institute's Film School. MFA: New York University, Tisch School of the Arts. WEBSITE: harrynadal.com

MARÍA-CRISTINA FUSTÉ (Lighting Design) Broadway: Jagged Little Pill, Associate LD 2021 remount. Off Broadway: Songs About Trains (Working Theater/Radical Evolution); Fur, Mud, and The Conduct of Life (Boundless Theatre Company, NYC) Regional: Cleveland Playhouse, Alabama Shakespeare, Bay Street Theater. American Mariachi (Goodman Theatre, Chicago); Measure for Measure (Chicago Shakespeare Co); Anna in the Tropics (Barrington Stage, MA); Airness (Geva Theatre Center, NY); Children of Eden (Aurora Theatre, GA); Sweat (People’s Light Theater, PA); In The Heights (Westport Country Playhouse, CT); The Heath (MRT, MA). Opera: Cecilia Valdés (Teatro Colón, Bogotá); Tosca, Bluebeard’s Castle, Madama Butterfly, Don Pasquale, and L’Elisir d’Amore (Ópera de Puerto Rico, San Juan PR). Training: MFA in Lighting Design (NYU’s Tisch School of the Arts). Awards: Princess Grace Award 2018, Suzi Bass Award 2016/ 2017, Nomination 2019, HOLA Award 2022. MC is the Executive Artistic Director of Boundless Theatre Company: www.boundlesstheatre.org. Website: www.mcfuste.com

GERMÁN MARTÍNEZ (Sound Design) A proud son of immigrant parents, Germán Martínez is a Honduran-American NYC/NJ based Sound Designer. Germán is a Montclair State University alum (2018), and is the current Eastern Representative for the TSDCA (Theatrical Sound Designer and Composers Association). His work has been featured at: The Public, Theaterworks Hartford, Playhouse 46 ,Page 73, Williamstown Theatre Festival, MCC, American Repertory Theatre, Repertorio Español, GALA Hispanic, George Street Playhouse, Two River Theater, and Trinity Rep. Broadway credits include Associating on: Into The Woods. The Piano Lesson, and Ohio State Murders. As a designer, he seeks work that will uplift and support BIPOC, queer, and immigrant stories in innovative and beautiful ways. Germán calls this work, "art from the heart". He invites any like-minded artists to collaborate. You can keep up with his work on Instagram: @GermanTheSoundDesigner.

E SARA BARNES (Production Stage Manager) With WP Theater:NYC: Weightless, Our Dear Dead Drug Lord (WP Theater), Other NYC: Broadway Bounty Hunter (Greenwich House Theater), Jersey Boys (New World Stages), Pacific Overtures (Classic Stage); Oh, Hello (Cherry Lane); Straight (Theatre Row); By the Water (Manhattan Theatre Club); Pageant (Davenport Theater); Bloodsong of Love (Ars Nova); The Sonic Life of a Giant Tortoise (Play Company); Three Men on a Horse, Bedroom Farce (The Actors Company Theatre); Twelfth Night  (Sonnet Repertory Theatre). REGIONAL: May We All (TPAC), Other World (DTC), Broadway Bounty Hunter (Barrington Stage Company), Gypsy! (starring Karen Ziemba, Sharon Playhouse), I Promised Myself to Live Faster, Twelfth Night, Zero Cost House (Pig Iron Theatre Co.); Guys and Dolls, Saving Aimee, Memphis! Hello, Dolly! (5th Avenue Theatre).

THE LATINX PLAYWRIGHTS CIRCLE (LPC) is an artist-led development and production organization for Latinx(é) playwrights. Founded in 2017 by playwrights Guadalís Del Carmen and Oscar Cabrera with the mission to build a network of Latinx(é) playwrights nationwide in order to promote, develop and elevate their work while making their plays accessible to theater makers looking to find the next generation of American Storytellers. Its programs include Sunday Service, Fresh Draft Series, Greater Good Commission and Festival, Intensive Mentorship Program, LPC Community Nights and Page-to-Stage, whose inaugural production is Sancocho by Christin Eve Cato. In 2020 LPC received a residency at Kabayitos Theater, located in the Clemente Soto Velez Center where it produces a portion of their programming. In 2022 LPC was awarded a Creatives Rebuild New York Grant (CRNY) as well as the HOLA Award for Excellence in Theater. LPC embraces the ever evolving landscape of Latinidad and the names used to describe this community, including Latiné, Latinx, Hispanic, and the next generation of names to come. Like language itself, this is an ever evolving name.

For more information on Latinx Playwright Circle and its many programs please visit latinxplaywrights.com

THE SOL PROJECT is a national theater initiative dedicated to amplifying the voices of Latiné playwrights by supporting, nurturing, and advocating for fully realized productions in NYC and beyond. Founded by Jacob G. Padrón and driven by an artistic collective, The Sol Project works in partnership with leading theaters to center Latiné dramatists and nurture a growing community of Latiné theater artists. With the writers we champion, The Sol Project aspires to create a bold, timeless, and kaleidoscopic body of work for the new American theater.

The Sol Project launched in 2016 with the world premiere of Alligator by Hilary Bettis in collaboration with New Georges, followed by the New York premieres of Seven Spots on the Sun by Martín Zimmerman (Rattlestick Playwrights Theater) and Oedipus El Rey by Luis Alfaro (The Public Theater). In the fall of 2018, The Sol Project collaborated with Yale Repertory Theatre to produce the world premiere of El Huracán by Charise Castro Smith and in early 2020 partnered with Baltimore Center Stage and The Playwrights Realm to produce the world premiere of Richard & Jane & Dick & Sally by Noah Diaz. In 2022, The Sol Project partnered with Soho Rep for the world premiere of Notes on Killing Seven Oversight, Management and Economic Stability Board Members by Mara Vélez Meléndez. And in spring of 2023, The Sol Project will collaborate with MCC Theater for the world premiere of Bees and Honey by Guadalís Del Carmen, as well as WP Theater and Latinx Playwrights Circle for the Off-Broadway premiere of Sancocho by Christin Eve Cato. In addition to productions, The Sol Project advances its mission by producing a yearly new play festival, SolFest, in partnership with Pregones/Puerto Rican Traveling Theater, while also supporting the Latiné theatre community through readings, workshops, a podcast (SolTalk), and ongoing symposia.

The artistic collective includes Adriana Gaviria, Rebecca Martínez, David Mendizábal, Jacob G. Padrón , Julian Ramirez, and Laurie Woolery. Isabel Pask is the Producing Associate. Brian Herrera is the Resident Scholar. Stephanie Ybarra is the Resident Dramaturg. Our partners include Atlantic Theatre Company, Baltimore Center Stage, Berkeley Repertory Theatre, Center Theatre Group, LAByrinth Theater Company, Latinx Playwrights Circle, Magic Theatre, MCC Theater, New Georges, New York Theatre Workshop, Playwrights Horizons, Pregones/Puerto Rican Traveling Theater, The Playwrights Realm, The Public Theater, Rattlestick Playwrights Theater, Steppenwolf Theatre Company, Soho Rep, WP Theater, and Yale Repertory Theatre. For more information, visit www.solproject.org.

WP THEATER (Lisa McNulty, Producing Artistic Director; Michael Sag, Managing Director), now in its 45th Season, is the nation’s oldest and largest theater company dedicated to developing, producing, and promoting the work of Women+ at every stage of their careers. For over four decades, WP has served as leaders of a global movement towards gender parity – and the artists fostered have grown into a robust, thriving community in theater and beyond. WP empowers Women+ artists of all kinds to reach their full potential, challenging preconceptions about the kinds of plays they write and the stories they tell.

Founded in 1978 by Julia Miles, WP Theater has earned acclaim as a home for Women+ theatermakers, historically marginalized in the field, to hone their craft while becoming leaders, change-makers, and advocates in the industry. To date, the company has produced more than 700 Mainstage productions and developmental projects and published 11 anthologies of plays by Women+ artists, and continues to forge forward in making a difference in the artistic landscape of New York and beyond, by offering these artists a platform to develop and present their stories.

Today, WP accomplishes its mission through several fundamental programs, including: the WP Lab, a celebrated two-year mentorship and new play development program for Women+ playwrights, directors, and producers; the Space Program, providing inexpensive performance space to mission aligned small theater companies and individual artists; the Developmental series of workshops and readings; the Commissioning program, and the Mainstage series, which features a full season of Off-Broadway productions written and directed by extraordinary Women+ theater artists. Current artists under commission are: Donnetta Lavinia Grays, Emily Kaczmarek, MJ Kaufman, Sylvia Khoury, Zoe Sarnak, and Leah Nanako Winkler.

WP Theater received a 2018 Lucille Lortel Award and an 2019 Obie Award, both for Outstanding Body of Work; and a 2020 Special Drama Desk Award recognizing WP and its founder, Julia Miles. As the premier launching pad for some of the most influential artists in theater, television, and film, WP’s work has a significant impact on the field. Nearly every notable female theater artist has been through its doors, including: 2019 Tony Winner Rachel Chavkin; two-time Pulitzer Prize Winner Lynn Nottage, 2018 Pulitzer Prize Winner Martyna Majok; MacArthur “Genius” Grant Winner & Tony Award Nominee Dominique Morisseau; Tony Winner Pam MacKinnon; and Tony Winner Diane Paulus. At WP, these powerful women found an early artistic home and are a testament to the organization’s role as a driving cultural force.

*When we say Women+, we mean people who are cis women, trans, non-binary, or gender nonconforming people, and all gender identities which have been systematically oppressed throughout history in the theater and beyond.