Chicago born and bred, Guadalís Del Carmen is an Ars Nova Resident Artist, a Black Lives Black Words Artistic Associate, and Co-Creator of the Latinx Playwrights Circle. Her plays include Not For Sale (Commission/World Premier UrbanTheater Company, Jeff Award New Play Nominee 2019), My Father’s Keeper (part of Steppenwolf Theatre’s The Mix, The Kilroys Honorable Mention 2019, Semi Finalist Bay Area Playwrights Festival 2018), Bees and Honey (The Kilroys List 2019, Best Unproduced Latinx Plays 2019), Daughters of the Rebellion (formerly titled Tolstoy’s Daughters, World Premier Montclair State University 2019, The Kilroys Honorable Mention 2017, 50 Playwrights Project Best Unproduced Latin@ Plays 2017), A Shero’s Journey or What Anacaona and Yemayá Taught Me (Yale Magazine 2019, The Parsnip Ship Podcast Season 4), Blowout (World Premier Aguijón Theater 2013), Sucking on Cucumbers, Blue Wall of Silence, Racial Science.

Her work has been part of The Sol Project’s Solfest in New York City, the Latinx Theatre Commons Carnaval of New Latinx Work in Chicago, and San Diego Repertory Theater’s Latinx New Play Festival.

Oscar A. L. Cabrera is a New York based Actor/playwright born of Texas. His plays include Through Andrew's Eyes (WAGG Hudson Warehouse, INTAR's New Works Lab, Rising Circle, Black and Latino Playwrights Conference 2016), Maybe You Should Just (EWG Public Theater), ReSpec(Spectrum Theater Ensemble), Pennies and Bolts (Labyrinth Theater Mofo Hat Festival), as well as over ten original ten minutes plays through The Flea Theater Serials and multiple years of One-Minute-Play-Festival. In 2020, he led the Economic Justice Committee for accountability of The Flea Theater's treatment of artists. He is currently the Co-Artistic Director and the Co-Founder of the Latinx Playwrights Circle, an organization with the blunt aim of increasing Latinx representation across all fields in New York Theater. He leads the Intensive Mentorship, a program he originated with Guadalís Del Carmen, partnering peers with mentors in the field and supports numerous New Play Development across the organization.

Born and Raised in San Juan, Puerto Rico Janio moved to New York in 2000 to pursue a career in theater. He has performed, directed and produced Off-Broadway since 2003. Janio held Facilities Director, Technical Director, and Production Manager and Producing Director positions until being promoted to Cherry Lane Theatre’s Co-Artistic Director which he did for 2 years. Janio is an Interview Panelist for the Administrative Fellowship Program at Harlem Stage, a Producer for The Chicago Sketch Comedy Festival, Executive Director for the Latinx Playwrights Circle of NYC, Founder of the Indestructible: Campaign, Producing Director for the Power Grid Festival, Board President of Roots and Action/ Raices y Accion. Janio is a member of the F.U.C.T. comedy troupe were he directed, wrote and performed for over 15 years. He holds a Bachelor of Arts degree in Theatre from Fordham University with honors in Directing, Producing and Performance Concentration.

Alisha Espinosa is a Boricua writer, actor, theatermaker, and teaching artist based in NYC. She is a 2022 Audrey Resident at New Georges and an Artist In Residence at the Latinx Playwrights Circle through the Creatives Rebuild New York Artist Employment Program. She was a member of Clubbed Thumb’s Early Career Writers Group (’21-22), a finalist for the Eugene O’Neill 2021 NPC (The Language of the Unheard), and commissioned for the 48 Hours in El Bronx 2021 Digital Festival. Her plays have been developed and/or presented at LATEA, Primary Stages, The Drama League, PACE University, Clubbed Thumb, and Step1 Theatre Project. A selection of her work can be found on the New Play Exchange Network. Select Acting Credits: A Skeptic & a Bruja (Urbanite), Seize the King (Classical Theatre of Harlem), Our Dear Dead Drug Lord (WP Theatre), Alma (Old Globe), Hamlet (Stage One), Shakespeare the Remix (Capital Rep), Much Ado About Nothing (KY Shakespeare). alishaespinosa.com | MFA UMKC

Nelson Diaz-Marcano is a Latinx NYC-based playwright, activist, and an administrator at Atlantic Theater Company and a core member of the Latinx Playwright Circle. Nelson's main artistic mission is to raise awareness about the contrasting cultures in this nation and explore how they all fit together in the American experiment.

Nelson’s plays have been produced and developed throughout the country by organizations such as Milagro Theatre, The William Inge Theatre Festival, Wordsmyth, Classical Theatre of Harlem, and The Parsnip Ship. His award-winning plays include "Rabiosa" (2018 Samuel French OOB Festival, now published by Samuel French), "The Diplomats" (winner of 4 awards including Best Play at 2017 Fresh Fruit Festival, now published by Original Works), and "Radical" (2016 Downtown Urban Arts Festival. His other plays include: “Paper Towels” (Intar), “I Saw Jesus in Toa Baja” (William Inge Theatre Festival), “World Classic” (Ingenio Milagro 2018; The Parsnip Ship), “Revolt” (World Premiere - Vision Latino Theatre Company), “El Yunque in English” (Citi Theatre Shorts Finalist), “Into The River I Went” (Step 1 Theatre Project), and “Prison Song” (2013 Downtown Urban Arts Festival).

As a community organizer, Nelson has worked with multiple organizations both to create more inclusive spaces and to innovate fundraising efforts for various causes, including Hurricane Maria and climate change. He has organized events and short play festivals spotlighting queer, POC and mental health issues, including curating new work specifically for these events. These experiences inform his work as Community Outreach Coordinator at Off-Broadway's Atlantic Theater Company and as a member of the LatinX Playwrights Circle.

Additionally, he's been an invited reader on submission processes for Sin Muros Festival, The Fade To Black Festival, The Parnsip Ship, Step 1 Theatre Project, and more.

Rebecca Aparicio is a Cuban-American director and writer. Recent directing includes Beastgirl (Kennedy Center, world premiere), House on the Lagoon (Gala Hispanic Theatre, world premiere), Sarita (Roundabout Refocus Reading Series), and Siluetas (O’Neill Theatre Center). As a director, she’s developed new work with American Repertory Theatre, Philadelphia Theatre Company, McCarter Theatre, EST, Musical Theatre Factory, Classical Theatre of Harlem, Ars Nova, Syracuse University, Parsnip Ship, The Tank, and more. Past Fellowships: Roundabout Theatre’s Inaugural Directing Group, MTC Jonathan Alper Directing Fellow, The COOP’s Clusterf**k Writing Cohort, and a two-time SDCF Observership Award recipient. As a writer, her work includes the award-winning musical Pedro Pan (New York Musical Festival, Musical Theatre Factory, Rhinebeck Writers Retreat, FringeNYC), Tree Tales (Prospect Theatre), Hindsight 2020 (Live & In Color, commission), Legacy (Prospect Theatre), The Garcia Sisters (Red Mountain Theatre, commission), Nora Saves The World (Barn Arts), Sweet Tea & Jesus (Player’s Theatre- Best of Fest), and Acceptance (EAT’S New Work Series, Player’s Theatre). Rebecca is a member of the Latinx Playwrights Circle, Latinx Theatre Commons , Board Member of The Flea Theatre, and a co-founder of Magic Forest Theatre, dedicated to creating new musicals for young audiences. . www.RebeccaAparicio.com